Hungarian director Bence Vági’s latest work showcases a modern style of acrobatics where performers soar above as the audience wanders from room to room.
Imagine an empty 6,000 sq metre warehouse intricately designed to contain 40 smaller performing spaces on multiple levels. On one side lie the fallen remains of Troy; on the other, the city of Carthage. At its dark centre is a labyrinth, and above sits the decadent realm of the gods, who are all too keen to interact with the struggling humans below. The look is steampunk dystopia meets Berlin cabaret.